Kari Krome: The Spark that Set Off the Cherry Bomb

setting the wheels of rock and roll herstory in motion

The World Wide Witching Hour

women of their own magic

Introducing Dr. Antonia Pantoja

Dr. Antonia Pantoja and her feminist life

She Who Wrote: Enheduanna and Women of Mesopotamia

She Who Wrote: Enheduanna and Women of Mesopotamia, ca. 3400–2000 BC

Manipur’s Women’s Wars

Indigenous Women’s Resistance

The two Queen Elizabeths: the end of the second Elizabethan Age

Story of Queen Elizabeth I & II

Patching up Women’s Writing From the Past

A special collective persistence

Female Stories Inscribed in Bones and Teeth

Finding Mothers In the Archaeological Record

Lilli Alanen and Descartes’s Concept of Mind

Alanen’s philosophical work

Lysimache, or how to read a New Historia schema

The Story of Lysimache

The Revival of Women’s Voices: Creating a Literary Sisterhood

Connecting interweaving memories

Royal Women: From the Obvious to the Invisible

The History of Royal Women

How Women’s Roles Are Diminished in Ancient Biblical Texts

A Fading Presence

Restoring Visibility: Promoting Women Artists of the Past

The mission of Art Herstory

Self-Harm and Reading Scars with Margery Kempe

Markings on a woman’s body

Hell Must Break Before I Am Lost

H.D. Reimagines the Classics

Testimony of History: Finding Solidarity with Women Across Time

Tapping the unlettered past

Searching for Ruth

My great-grandmother Ruth Standish Baldwin

Susan Brownmiller’s Radical Life

How one woman came to feminism

Feminist Biography and the Privilege of Appearing in the Archive

The archive and the unfamous

Abelard, Heloise, and a Woman’s Role in Church

On the Church and patriarchy

Welcome to The New Historia

An introduction to the platform

A Dream Deterred

Afghani women today

Knowledge Not Yet Formed

On knowledge-ordering systems

It’s Not the First Time. It’s the Thousandth Time.

On the female abyss